There is a common ground which allows a good hybridization, and the result is great!”. The Grotesk construction is directly inherited from Clarendon, which itself is inherited from the Didot-style typefaces. Arnaud Chemin describes them, explaining that “there was an interesting aspect in combining these different styles. Last but not least, Didot Modern benefits from a broad stylistic set, which contains alternate characters (A R Q V W & a f g j r t v w y) based on the aesthetic of Grotesk typefaces. It is an experiment on modernising high contrast letterforms, giving them a more mechanical look.” I followed the same path Imre Reiner took almost a hundred years ago to design the Corvinus typeface. They belong to the past and no longer reflect our contemporary environment. Traditional flourishes such as the teardrop endings looked too baroque. Arnaud Chemin explains: “By removing the mannerist aspects of some details, the letterforms gained in simplicity. However, Didot Modern is not just a melt of history. While the black styles were inspired by the “normande” style, like Figgins’s French “gros canons”. The design of the regular cuts is based on various examples: Nicolas Pierre Gando’s imitations of “Didot”, Ludwig & Mayer’s “Didone” and Jules Didot “trois et demi”. It blends original drawings from different historical sources. T he typeface is a tribute to the Didot archetype. Its emphasis lies on the overall digital feeling the typeface conveys. It is distinct and unique enough to stand apart from other Didot-style typefaces such as Bodoni, Scotch Roman or Walbaum. Didot Modern is the perfect choice for corporate design or advertising projects. Through its expressivity, it is tailor-made to fit contents such as fashion, luxury, art publications, fiction or classic literature. With its delicate thin strokes and precise details, it reveals its beauty, especially in large sizes. Flat endings, sharp triangular serifs, and a multitude of stylistic features bring the Didot legacy into the new digital area where elegance and classicism meet technology and rationalism.ĭidot Modern is a typeface for text composition of all kinds. The general proportions refer to the Didones from the French printing tradition, mixed with expressive features invoking geometry and minimalism. It is a hybrid typeface consisting of ten weights, combining upright and italic cuts. Sans Serif fonts are often used in headings and captions in printed materials.Didot Modern is the result of a collaboration between Arnaud Chemin and Nouvelle Noire that started in 2019. So, a sans serif font will display cleaner. The lower resolution of computer screens make it difficult to see serifs. Common Uses for Sans Serif fonts: Used most often in web materials.Sans serif fonts are composed of simple lines and have little or no thick/thin transition strokes at all.The human eye can recognize the shape faster with serifs. Common Uses for Serif fonts: Used most often in printed materials because of the readability.Walter is best-suited for use in statement designs. It’s a bold, masculine, modern font typeface that works well for fashion, sci-fi, and cinematic designs. These fonts are usually very easy to read This monospaced font uses clean, straight lines, sharp edges, and minimalist characters to create a distinctive look.These fonts have thin/thin transition strokes.A serif font will have a small line attached to the end of the letter stroke.Here are six common font categories and some characteristics of each: Categorizing fonts can be simple when you know what characteristics to look for.
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